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A.P.POLO - XYZ



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LIMITED EDITION of 50


A.P.Polo - "XYZ" - Hamburg (Germany) - New Media Art. Abstract, contemporary work consisting of a complex structure of differently coloured rectangle...[+]


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Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look     
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

A.P.POLO - XYZ A P POLO  Canvas Print
A.P.Polo - XYZ Wall Decor Frame
Stretched Canvas Print   We ship in USA & Canada
Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style
20 x 20 inches
51 x 51 cm
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$271
24 x 24 inches
62 x 62 cm
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$286
30 x 30 inches
77 x 77 cm
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$399
36 x 36 inches
92 x 92 cm
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$534
42 x 42 inches
108 x 108 cm
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$1107
48 x 48 inches
123 x 123 cm
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$1250


Stretched Split Canvas


A.P.Polo - XYZ Canvas print
36 x 36 cross triptych split canvas
39 x 36 inches including space.
1X [ 12x36 ]   2X [ 12x30 ]
$716

Acrylic Print

A.P.Polo - XYZ Acrylic Print Acrylic print A.P.Polo - XYZ Acrylic print A.P.Polo - XYZ  Acrylic print
Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.  
Video
[+]

  Acrylic Print with Floating Frame on the back
Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire    
1/8" Thickness:
20 x 20 inches
51 x 51 cm
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$405
24 x 24 inches
62 x 62 cm
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$526
30 x 30 inches
77 x 77 cm
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$749
36 x 36 inches
92 x 92 cm
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$1022
42 x 42 inches
108 x 108 cm
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$1712
48 x 48 inches
123 x 123 cm
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$2084
3/16" Thickness:
20 x 20 inches
51 x 51 cm
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$479
24 x 24 inches
62 x 62 cm
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$633
30 x 30 inches
77 x 77 cm
Image Preview
$916
36 x 36 inches
92 x 92 cm
Image Preview
$1262
42 x 42 inches
108 x 108 cm
Image Preview
$2039
48 x 48 inches
123 x 123 cm
Image Preview
$2512

  Acrylic Print with Stand off
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature
1/8" Thickness:
20 x 20 inches
51 x 51 cm
Image Preview
$405
24 x 24 inches
62 x 62 cm
Image Preview
$526
30 x 30 inches
77 x 77 cm
Image Preview
$749
36 x 36 inches
92 x 92 cm
Image Preview
$1022
42 x 42 inches
108 x 108 cm
Image Preview
$1712
48 x 48 inches
123 x 123 cm
Image Preview
$2084
3/16" Thickness:
20 x 20 inches
51 x 51 cm
Image Preview
$479
24 x 24 inches
62 x 62 cm
Image Preview
$633
30 x 30 inches
77 x 77 cm
Image Preview
$916
36 x 36 inches
92 x 92 cm
Image Preview
$1262
42 x 42 inches
108 x 108 cm
Image Preview
$2039
48 x 48 inches
123 x 123 cm
Image Preview
$2512


Brushed Metal Print / Smooth White Metal Print

A.P.Polo - XYZ  Metal print A.P.Polo - XYZ Metal print A.P.Polo - XYZ Metal print

The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

  Brushed Metal Print with Floating Frame on the back
Printed to the edge & Ready to hang a floating frame and hanging wire 
20 x 20 inches
51 x 51 cm
Image Preview
$412
24 x 24 inches
62 x 62 cm
Image Preview
$564
30 x 30 inches
77 x 77 cm
Image Preview
$842
36 x 36 inches
92 x 92 cm
Image Preview
$1182
42 x 42 inches
108 x 108 cm
Image Preview
$1952
48 x 48 inches
123 x 123 cm
Image Preview
$2416

  Brushed Metal Print with Stand off
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
20 x 20 inches
51 x 51 cm
Image Preview
$412
24 x 24 inches
62 x 62 cm
Image Preview
$564
30 x 30 inches
77 x 77 cm
Image Preview
$842
36 x 36 inches
92 x 92 cm
Image Preview
$1182
42 x 42 inches
108 x 108 cm
Image Preview
$1952
48 x 48 inches
123 x 123 cm
Image Preview
$2416

  Brushed Metal Print with high gloss Epoxy Resin Coat
With a Back Floating Frame and we manually apply an Epoxy Varnish for an amazing lighting effect
20 x 20 inches
51 x 51 cm
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$910
24 x 24 inches
62 x 62 cm
Image Preview
$1243
30 x 30 inches
77 x 77 cm
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$1855
36 x 36 inches
92 x 92 cm
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$2602
40 x 40 inches
103 x 103 cm
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$3177

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]  

  White Metal Print with Floating Frame on the back
Printed to the edge & Ready to hang a floating frame and hanging wire 
20 x 20 inches
51 x 51 cm
Image Preview
$412
24 x 24 inches
62 x 62 cm
Image Preview
$564
30 x 30 inches
77 x 77 cm
Image Preview
$842
36 x 36 inches
92 x 92 cm
Image Preview
$1182
42 x 42 inches
108 x 108 cm
Image Preview
$1952
48 x 48 inches
123 x 123 cm
Image Preview
$2416

  White Metal Print with Stand off
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
20 x 20 inches
51 x 51 cm
Image Preview
$412
24 x 24 inches
62 x 62 cm
Image Preview
$564
30 x 30 inches
77 x 77 cm
Image Preview
$842
36 x 36 inches
92 x 92 cm
Image Preview
$1182
42 x 42 inches
108 x 108 cm
Image Preview
$1952
48 x 48 inches
123 x 123 cm
Image Preview
$2416



HD ChromaLuxe Sublimation High-Gloss Metal Print

A.P.Polo - XYZ  HD Metal print with Floating Frame on Back A.P.Polo - XYZ HD Sublimation Metal print A.P.Polo - XYZ Metal print A.P.Polo - XYZ HD Sublimation Metal print with Decorating Float Frame (BOX)

Color brilliance, superior durability and archival qualities
This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel  
Video
[+]

  Sublimation Hi-Gloss White Metal Print with Back frame
Printed to the edge & Ready to hang a floating frame and hanging wire 
18 x 18 inches
46 x 46 cm
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$414
20 x 20 inches
51 x 51 cm
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$489
24 x 24 inches
62 x 62 cm
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$664
30 x 30 inches
77 x 77 cm
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$985
36 x 36 inches
92 x 92 cm
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$1377

  Sublimation Hi-Gloss White Metal Print with Decorating Floating Moulding (Black)
Inside a decorating frame (Box) - Black Floating Frame
18 x 18 inches
46 x 46 cm
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$693
20 x 20 inches
51 x 51 cm
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$799
24 x 24 inches
62 x 62 cm
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$1035
30 x 30 inches
77 x 77 cm
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$1449
36 x 36 inches
92 x 92 cm
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$1934


Wood Print

A.P.Polo - XYZ  Wood print A.P.Polo - XYZ Metal print A.P.Polo - XYZ Wood print A.P.Polo - XYZ Wood print

Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

Wood Print with Back Frame Mount
Printed to the edge & Ready to hang a floating frame  
Video
[+]
20 x 20 inches
51 x 51 cm
Image Preview
$356
24 x 24 inches
62 x 62 cm
Image Preview
$462
30 x 30 inches
77 x 77 cm
Image Preview
$656
36 x 36 inches
92 x 92 cm
Image Preview
$893
42 x 42 inches
108 x 108 cm
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$1542
48 x 48 inches
123 x 123 cm
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$1866


Roll Print

We ship worldwide

Giclée Roll Canvas Print  
Printed on Fine Art Matte Canvas Paper - Provided inside a Strong mailing tube [+]
20 x 20 inches
51 x 51 cm
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$124
24 x 24 inches
62 x 62 cm
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$155
30 x 30 inches
77 x 77 cm
Image Preview
$213
36 x 36 inches
92 x 92 cm
Image Preview
$283
42 x 42 inches
108 x 108 cm
Image Preview
$364
48 x 48 inches
123 x 123 cm
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$461
55 x 55 inches
141 x 141 cm
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$588


Premium Acid Free Giclée Poster Paper  
Printed on Photo Satin Paper - ( Poster ) Provided inside a Strong mailing tube [+]
20 x 20 inches
51 x 51 cm
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$97
24 x 24 inches
62 x 62 cm
Image Preview
$112
30 x 30 inches
77 x 77 cm
Image Preview
$147
36 x 36 inches
92 x 92 cm
Image Preview
$186
42 x 42 inches
108 x 108 cm
Image Preview
$236
48 x 48 inches
123 x 123 cm
Image Preview
$290
55 x 55 inches
141 x 141 cm
Image Preview
$364


Giclée Art Matte Paper Print  
Printed on a Premium Archival Matte Paper with a smooth texture & neutral-white - Provided inside a Strong mailing tube [+]
20 x 20 inches
51 x 51 cm
Image Preview
$139
24 x 24 inches
62 x 62 cm
Image Preview
$178
30 x 30 inches
77 x 77 cm
Image Preview
$244
36 x 36 inches
92 x 92 cm
Image Preview
$329
42 x 42 inches
108 x 108 cm
Image Preview
$430


Mural Print

Easy to Install. Washable & Repositionable Self-Adhesive Vinyl [+]
Video
A.P.Polo - XYZ Mural print
A.P.Polo - XYZ Wall Murals
A.P.Polo - XYZ Wall Printing
To get your mural price, enter your wall measurement:

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Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class

Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
[More info about our Mural prints]

Custom Framed print

Get this artwork "A.P.Polo - XYZ" in a framed print.
Fully customizable - at the exact size you want. Select paper type, glass, matte and decorating frame
Start building your custom framed print by selecting one the following moulding:

Standard size framed print

  [+]  
Video

28 x 28"
$383
28 x 28" Framed Print

A.P.Polo - XYZ Frame print
Printed Area: 24 x 24"
Total Inside area: 28.00 x 28.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 29.25 x 29.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

Wall Clock

Product details

This artwork is Made with high-quality acrylic Ready to hang.   
Video

Clock mechanism with a Precise quartz movement. Battery included
Available in Square or Round format
Available in 12" 16" 24" sizes

Build yours

Digital Download

File resolution: 8000 x 8000 pixels


ABOUT THIS ARTWORK: A.P.POLO - XYZ
A.P.Polo - "XYZ" - Hamburg (Germany) - New Media Art. Abstract, contemporary work consisting of a complex structure of differently coloured rectangles and captivating through its colour intensity. This work can be classified as concrete art. The CIE 1931 color spaces are the first defined quantitative links between distributions of wavelengths in the electromagnetic visible spectrum, and physiologically perceived colors in human color vision. The mathematical relationships that define these color spaces are essential tools for color management, important when dealing with color inks, illuminated displays, and recording devices such as digital cameras. The system was designed in 1931 by the "Commission Internationale de l'éclairage", known in English as the International Commission on Illumination. The CIE 1931 RGB color space and CIE 1931 XYZ color space were created by the International Commission on Illumination (CIE) in 1931. They resulted from a series of experiments done in the late 1920s. The experimental results were combined into the specification of the CIE RGB color space, from which the CIE XYZ color space was derived. The CIE 1931 color spaces are still widely used, as is the 1976 CIELUV color space. The CIE RGB color space is one of many RGB color spaces, distinguished by a particular set of monochromatic (single-wavelength) primary colors. In the 1920s, two independent experiments on human color perception were conducted by W. David Wright with ten observers, and John Guild with seven observers. Their results laid the foundation for the trichromatic CIE XYZ color space specification. The experiments were conducted by using a circular split screen (a bipartite field) 2 degrees in diameter, which is the angular size of the human fovea. On one side a test color was projected while on the other an observer-adjustable color was projected. The adjustable color was a mixture of three primary colors, each with fixed chromaticity, but with adjustable brightness. The observer would alter the brightness of each of the three primary beams until a match to the test color was observed. Not all test colors could be matched using this technique. When this was the case, a variable amount of one of the primaries could be added to the test color, and a match with the remaining two primaries was carried out with the variable color spot. For these cases, the amount of the primary added to the test color was considered to be a negative value. In this way, the entire range of human color perception could be covered. When the test colors were monochromatic, a plot could be made of the amount of each primary used as a function of the wavelength of the test color. These three functions are called the color matching functions for that particular experiment. The CIE 1931 RGB color matching functions. The color matching functions are the amounts of primaries needed to match the monochromatic test color at the wavelength shown on the horizontal scale. Although Wright and Guild's experiments were carried out using various primaries at various intensities, and although they used a number of different observers, all of their results were summarized by the standardized CIE RGB color matching functions, obtained using three monochromatic primaries at standardized wavelengths of 700 nm (red), 546.1 nm (green) and 435.8 nm (blue). Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. "The work of art must be completely conceived and shaped in the mind before it is executed. It must contain nothing of the formal realities of nature, the senses and the feelings. We want to eliminate lyricism, drama, symbolism and so on. The picture must be constructed exclusively from plastic elements, i.e. from surfaces and colours. A picture element has no other meaning than itself. For we have left the time of searching and speculative experiments behind us. In the search for purity, artists were forced to destroy the natural form. Today the idea of the art form is as obsolete as the idea of the natural form. We foresee the time of pure painting. For nothing is more concrete, more real, than a line, a colour, a surface. Concrete and not abstract painting. For the spirit has reached the state of maturity. It needs clear, intellectual means to manifest itself in a concrete way. Colour is the basic substance of painting; it means only itself. Painting is a means of realising thought in a visual way: Every painting is a colour thought. Before the work is transformed into matter, it exists in a complete way in consciousness. It is also necessary that the realisation has a technical perfection equal to that of the mental design. We work with the quantities of mathematics - Euclidean or non-Euclidean - and science, that is: with the means of thought." "Painting is a means of realising thought in an optical way". After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements. Around 1903, a major turning point in art began. Painting and sculpture became increasingly distant from visible reality. Henri Matisse said that when you look at a painting, you have to completely forget what it represents. It is art that grants form, colour and pictorial composition far-reaching autonomy from the representational. This movement away from the world of the visible was called abstraction. It is about concentrating on the essential, the necessary. From 1910 onwards, an art emerged that consistently pursued the path of abstraction. Every remnant of representation, pictorial or figurative, was rejected: "Could such an art - which had obviously become completely independent - still be called an extreme form of abstraction, integral or total abstraction? Was there not something fundamentally new, a complete autonomy of pictorial design?" Wassily Kandinsky stated that art now only followed its own, art-immanent laws. It was an art of pure non-objectivity. Quote: "The new art has brought to the fore the principle that art can only have itself as its content. Thus we do not find in it the idea of anything, but only the idea of art itself, of its self-content. Art's very own idea is its non-objectivity." In 1930, Michel Seuphor had defined the role of the abstract artist in the first issue of Cercle et Carré. It was “to establish, on the foundations of a structure that is simple, severe and unadorned in every part, and within a basis of unconcealed narrow unity with this structure, an architecture which, using the technical means available to its period, expresses in a clear language that which is truly immanent and immutable.” The art historian Werner Haftmann traces the development of the pure abstraction proposed by Seuphor to the synthesis of Russian Constructivism and Dutch Neo-Plasticism in the Bauhaus, where painting abandoned the artificiality of representation for technological authenticity. “In close connection with architecture and engineering, art should endeavour to give form to life itself. The former provided new sources of inspiration as well as new materials – steel, aluminium, glass, synthetic materials.” As van Doesburg had pointed out in his manifesto, in order to be universal, art must abandon subjectivity and find impersonal inspiration purely in the elements of which it is constructed: line, plane and color. Some later artists associated with this tendency, such as Victor Vasarély, Jean Dewasne, Mario Negro and Richard Mortensen, only came to painting after first studying science. Nevertheless, all theoretical advances seek justification in past practice, and in this case the mathematical proportions expressed in abstract form are to be identified in various art forms over millennia. Thus, argued Haftmann, “the elimination of representational images and the overt use of pure geometry do not imply a radical and definitive rejection of the great art of the past, but rather a reassertion of its eternal values stripped of their historical and social disguises.” While Abstraction-Création was a grouping of all modernistic tendencies, there were those within it who carried the idea of mathematically inspired art and the term ‘concrete art’ to other countries when they moved elsewhere. A key figure among them was Joaquin Torres García, who returned to South America in 1934 and mentored artists there. Some of those went on to found the group Arte Concreto Invención in Buenos Aires in 1945. Another was the designer Max Bill, who had studied at the Bauhaus in 1927-9. After returning to Switzerland, he helped organize the Allianz group to champion the ideals of Concrete Art. In 1944 he organized the first international exhibition in Basle and at the same time founded abstract-konkret, the monthly bulletin of the Gallerie des Eaux Vives in Zurich. By 1960 Bill was organizing a large retrospective exhibition of Concrete Art in Zürich illustrating 50 years of its development. In 1949, Max Bill formulated the goal of Concrete Art in his introduction to the catalogue of the Zurich Concrete Art exhibition: "The goal of Concrete Art is to develop objects for intellectual use, in a similar way to how man creates objects for material use. In its ultimate consequence, concrete art is the pure expression of harmonious measure and law. It orders systems and gives life to these orders by artistic means".

This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in Continental USA & Canada (Free shipping)

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